Rolling Stone: New Music Tuesdays (video)
Arts & Entertainment
Every Tuesday, Rolling Stone executive editor Joe Levy brings you into his office to hear and discuss the week's best new album releases. Featuring a rotating cast of special guests that includes Rolling Stone contributing editors Robert Christgau, Jenny Eliscu, Rob Sheffield and more. (Author: Rolling Stone)
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Recent episodes from Rolling Stone: New Music Tuesdays (video)
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Published: Nov 11, 09It might’ve been released a month ago, but Rolling Stone contributing editor Christian Hoard is still singing the praises of Miranda Lambert’s third album Revolution in this week’s New Music Report segment “Christian Rock.”
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Published: Nov 4, 09L.A. singer-songwriter Devendra Banhart has been saddled with responsibility for spearheading the freak-folk movement, but with each of his six albums that term has become an increasingly irrelevant way to describe his sound.
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Published: Oct 28, 09The “Christian Rock” pick in this week’s New Music Report (contributing editor Christian Hoard’s current fave) is Scars, the fifth album from British house duo Basement Jaxx. The group’s 2001 album Rooty featured the hit “Romeo,” which charted in the States thanks to its synthetic yet warm vibe, and Scars is their best album since then.
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Published: Oct 21, 09First up, Losing Feeling, a new EP from SoCal skate-punk duo No Age. Last year’s full-length Nouns was a messy collection of noise rock, and on their new EP the pair tone down the fuzz to focus on hooks — kind of like if Brian Wilson collaborated with Black Flag.
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Published: Oct 14, 09Christian Hoard returns to host his “Christian Rock” segment of the New Music Report this week. His pick: Built to Spill’s latest album, There Is No Enemy. The long-running Idaho band led by Doug Martsch refused to be interviewed on camera when Hoard was covering All Tomorrow’s Parties for RS last year, and Martsch strikes Hoard as a shy, a small-town guy who likes to shoot hoops and hang with his kids when he’s not cooking up guitar riffs.
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Published: Oct 7, 09Air are well known for their cool electronica records full of mellow space grooves and robo-funk jams, and while their fifth disc, Love 2 isn’t a big sonic departure, there is one key change: the songs were recorded with live instruments.
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Published: Sep 30, 09Rolling Stone’s Kevin O’Donnell spotlights the Avett Brothers’ major-label debut, I and Love and You, in this week’s roundup of essential new releases.
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Published: Sep 23, 09On new supergroup Monsters of Folk’s debut album, Jim James, M. Ward, Conor Oberst and Mike Mogis deliver 15 songs that touch on straight-up country and bluegrass, but they also veer into atmospheric ballads, like opener “Dear God.”
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Published: Sep 16, 09In this week’s roundup of the best new releases, Kevin O’Donnell breaks down the debut EP from the Drums, one of indie-rock’s biggest buzz bands this fall.
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Published: Sep 9, 09Rolling Stone’s Christian Hoard names Yacht’s See Mystery Lights his “Christian Rock” pick of the week in the latest edition of the New Music Report.
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Published: Sep 2, 09In this week’s roundup of vital upcoming releases, Rolling Stone’s Kevin O’Donnell sizes up the new album from South African band BLK JKS.
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Published: Aug 26, 09This week in the New Music Report, Rolling Stone contributing editor Christian Hoard presents a new segment of “Christian Rock,” where Hoard shines the spotlight on one of his latest favorite under-the-radar artists that have nothing to do with Christian music (Yes, we read the comments.)
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Published: Aug 19, 09Rolling Stone’s Kevin O’Donnell breaks down two recent hot releases — Brendan Benson’s My Old Familiar Friend and Jay Reatard’s Watch Me Fall — in this week’s new music podcast.
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Published: Aug 12, 09Christian’s Hoard’s best new music pick for the week — a little thing we call “Christian Rock” in the New Music Report — is Golden Silvers.
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Published: Jul 29, 09In this week’s New Music Report, RS‘ Kevin O’Donnell tackles My Morning Jacket’s Jim James (known here as Yim James) and his George Harrison covers EP Tribute To. James’ interpretations are solid, and his bright, high croon sounds great over the skeletal arrangements.
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